Season 2019
Memories
Choreography, lighting, and costume design: Itzik Galili
Choreographer Assistant: Elisabeth Gibiat
Costume realization : Zane Kealey
Music: Kodo, Gavin Bryars, Percossa
Duration: 15 minutes, 5 female dancers,
Commissioned by Boston Dance Theater 2019
Supported in part by the Israeli Consulate to New England
Co-Artistic Director, Itzik Galili looks back on his illustrious choreographic career with Memories, collaging movement phrases from earlier dances with text he wrote over a decade ago into a new work fashioned specifically for the women artists of BDT.
I had a thought
Choreography: Micaela Taylor
Assistant to the choreographer: Jessie Lee Thorne
Costume realization : Zane Kealey
Duration: 15 mins, 4 female dancers & 1 male dancer
Commissioned by Boston Dance Theater 2019
“I had a thought” is inspired by the integrity of trying to stick with the task at hand, not allowing distractions to take you off course. To quote Joshua Rothman, author for The New Yorker: “Like typing, Googling, and driving, distraction is now a universal competency. We’re all experts.” In her commission from Boston Dance Theater (BDT), choreographer Micaela Taylor creates a space for the artists of BDT to dig in and focus on the process of the work unfolding. This process is a direct response to our urbanized, high-tech, 21st century Western society which seems to be designed to distract us.
Peekaboo
Choreography: Marco Goecke
Dramaturgy: Nadja Kadel
Costume design: Thomas Lempertz
Costume realization : Zane Kealey
Assistant to the choreographer: Ryan Lawrence
Lighting Design: Udo Haberland
Music: “Simple Symphony”, “H.Y.V.A.” and “Sininen Ja Valkoinen”
Composers: Benjamin Britten, Mieskuoro Huutajat
Duration: 18 mins 36 secs, 4 male & 4 female dancers
Supported in part by Goethe Institut Boston
Premiere Date: April 16, 2013 by Sao Paulo Dance Company at Movimentos - Festwochen der Autostadt, Wolfsberg, Germany
In Peekaboo, the German choreographer Marco Goecke deals with the act of hiding and revealing in an exciting way. The title refers to a childish game well known to children: the person peeks, hides his/her face and suddenly reappears and says, ‘found’ or ‘boo’. In the work, Britten’s symphony combined with the sound of the Finnish choir Huutajat, shows contrasts: while talking about fantasy, it brings out the fears and loneliness of each dancer. The cast alternates in solos, duos, trios and ensembles, the movement is fast and accurate and the performers mysteriously appear and disappear from the scene. “Everything is a matter to be lost and found”, says the choreographer. (Written by Nadja Kadel)
Women on the Verge
Choreography: Shannon Gillen
Costume design & realization : Zane Kealey
Assistants to the choreographer: Jason Reese Cianciulli, Kiley Dolaway
Music: Lorelei Ensemble
Composers: David Lang & Mary Montgomery Koppel
Duration: 13minutes, 4 female dancers
Commissioned by Boston Dance Theater 2019
Accompanied by the nationally acclaimed voices of Boston’s own all-woman vocal group the Lorelei Ensemble, Shannon Gillen’s newly commissioned work for Boston Dance Theater “Women on the Verge” hones in on four divergent voices. Gillen blends her interest in the theatrical devices of cinematic with physical, risk-taking choreography. In "Women on the Verge" Gillen creates a temporal landscape that is at once full-bodied and reflective of womanhood.
Season 2018
Man of the Hour (excerpt)
Choreography, light and costume design: Itzik Galili
Costume realization : Peishan Zhu Stinnett
Assistant to the choreographer: Inbar Tanzer
Music: Henry Purcell
Duration: 15 minutes, 8 female dancers
Supported by: Live Arts Boston, The Boston Foundation with support from the Barr Foundation
Conceived in 2015 as a co-production between the Israeli Opera and Suzanne Dellal Center for Dance, award winning choreographer Itzik Galili’s Man of the Hour is an evening length work for 8 men accompanied by a live operatic score by Henry Purcell. The BDT commission marks the first and only time that Man of the Hour (excerpt) has been set on a cast comprised exclusively of women, smashing socially accepted notions of physicality and igniting raw individuality at the brink of exhaustion in service of group power. This excerpt has been generously supported by the New England Foundation for the Arts and The Boston Foundation in partnership with The Barr Foundation.
In this new work for 5 women, New York-based choreographer Sidra Bell intertwines nuanced phrase work, supple spines, and movement research in service of collaborative language building. Lauded as thought provoking, identity focused, and exploding with creativity by the Pittsburgh Examiner, Bell creates space for the generation of shared vocabulary, utilizing structural systems that build work capable of both looking forward and referencing itself. Deeper Inscription has been sustained in part by The Boston Foundation in partnership with The Barr Foundation.
Deeper Inscription
Choreography, light and costume design: Sidra Bell
Costume realization : Peishan Zhu Stinnett
Duration: 18 minutes, 5 female dancers
Supported by: The Boston Foundation with support from the Barr Foundation.
Commissioned by Boston Dance Theater 2017
Today for Now
Choreography: Yin Yue
Costume realization: Jaime Stinnett
Music: Janis Joplin
Duration: 16 minutes, 4 female dancers
Commissioned by Boston Dance Theater 2018
Set to the music of iconic singer/songwriter Janis Joplin, Yin Yue’s Today for Now explores a meeting of inner sensitivity and outward wildness. Vigorously physical and unapologetically loud, the work unveils a tribe of dancers tasked with driving one another forward as they join forces to celebrate an unbroken lineage of upstanding women.
Chameleon
Choreography, costume, and lighting design: Itzik Galili
Costume realization: Jaime Stinnett
Duration: 10 minutes, 7 female dancers
Premiere date: 2008
In Chameleon, Itzik Galili challenges the female dancers to show their versatility through a continuous metamorphosis. This work is a suggestive exercise in the revelation of the feminine being. The nuances of the music by John Cage are gently emphasized by the
choreography.
peg•puff
Choreography, light and costume design: Jessie Jeanne Stinnett
in collaboration with BDT dancers
Costume realization : Jessie Jeanne Stinnett and Jaime Stinnett
Duration: 15 minutes, 12 female dancers
Premiere date May 2018
The outlandish Scottish noun peg•puff denotes a young woman with the manners of an old woman. Calling upon a cast of caricatures, Jessie Jeanne Stinnett’s latest work disrupts chronology, allowing youth and age to interact in service of a body remembering itself.
Little Match Girl Passion
Choreography and costume design: Jessie Jeanne Stinnett
in collaboration with BDT dancers
Costume realization : Jamie Stinnett
Music: David Lang (2008 Pulitzer Prize)
Duration: 35 minutes, 4 female dancers, 4 musicians/vocalists
Premiere date April 2018
Supported by: Boston Cultural Council
Commissioned by Emmanuel Music 2018
An interdisciplinary work commissioned by Emmanuel Music, with Emily Marvosh (contralto), for the Late Night at Emmanuel concert series. David Lang’s Pulitzer-Prize-Winning the little match girl passion tells an everyday story in a hauntingly simple way. The human story of a starving girl freezing to death is framed within, and brilliantly juxtaposed with the divine St. Matthew Passion by Johann Sebastian Bach. If Bach’s masterpiece is less familiar to you, this intimate performance will spark your curiosity and introduce you to the heartbreaking themes of this eternal story.
